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Hrvatski Rođena je na Sušaku i živi u Podkilavcu. Keramikom i slikarstvom bavi se od 1999. godine i godinama radi na velikoj nekomercijalnoj temi „Kako su živjeli i odijevali se naši stari krajem 19. i početkom 20. stoljeća“. Na tu temu napravila je nekoliko varijanti jaslica s tim da je dodala novi element, prve hrvatske kraljeve; Tomislava, Krešimira i Zvonimira, kao vezu s nacionalnom prošlošću i povijesnim ponosom“ kako u njenom katalogu naglašava Theodor de Canziani, prof. Keramika Margarete Krstić odlikuje se izuzetnim kvalitativnim razvojem. Započevši samouka „pozvana“ od masne zemlje svog roditeljskog okolja da poput pradavnih naših predaka mijesi, spaja, kida i oblikuje, Margareta je osjetilima i sticanim iskustvom producirala ono što ju od djetinjstva potiče i inspirira. Upravo tematski vezana za svakodnevlje svoga kraja u bilježenju „života“ koji neumitno nestaje daje nam iskreni iskaz generacija koje su tu „prošlost“ mogle živjeti do nedavna, do zadnje mlikarice Matilde, vodarice, drvarice, pralje i svega onoga što je značilo život i preživljavanje Grobnika i Grobinštine iz koje potječe. Drugi ciklus skulptura su one religioznog karaktera te osobito motiv jaslica koje gotovo dječjim oduševljenjem stvara u nebrojenim varijantama. Jaslice iz različitih keramičkih tehnika (villanoviana, bucchero, raku, terakota itd.) inspirirane su najrazličitijim poticajima okolja bližeg i daljeg a obišle su cijeli svijet, od Grobnika, Rijeke do Verone, Cunea, Assisia,(Italija), Lublina (Poljska) i Betlehema. Margareta Krstić pokazala je svoje jaslice svijetu predstavljajući Republiku Hrvatsku, i upravo zbog nje 2008/2009. godine jaslice svijeta došle su nam u Rijeku. Margareta Krstić je zaslužna za ovaj događaj jer je izlažući svoje autentične jaslice svake godine na velikoj svjetskoj izložbi u Veroni i drugim europskim gradovima skrenula pozornost organizatora (Kustos betlehemskog muzeja u Betlehemu dr Alfredo Troisi) ove jedinstvene izložbe na Hrvatsku i Rijeku. Zato je, željom organizatora, potpuno zasluženo, na riječkoj izložbi Jaslice svijeta u Pomorskom i povijesnom muzeju Hrvatskog primorja u Rijeci dobila najveći i najreprezentativniji prostor. Margareta je u raku tehnici visine od 40 – 60 cm , napravila prve riječke jaslice , u njima, uz Svetu obitelj zaigrali su „Riječani“. To je pravi riječki specijalitet, morčići u sto varijanti. Svi Mori, Turki, Indijani u varijaciji boja i oblika dočarali su Riječanima i svijetu tko smo. Riječani su sada po prvi puta ovjekovječeni u jaslicama sa Svetom obitelji u dane blagdana. Poticaj tome kreće još od pradavna Grobnika i legende o postanku tog riječkog autohtonog nakita. Iz iščitavanja knjiga Riccarda Gigante, Radmile Matejčić i Theodora de Canziani nastaje sinteza tog najprepoznatljivijeg od davnina riječkog identitetnog biljega, njegove ekselencije Morčića, i motiva jaslica što nas dovodi do prekrasnog saznanja; Moro se rodio! A Riječanke i Riječani (patriciji) nepresušno teku dalje.Tako s ponosom jasno i glasno recimo: „Indeficienter!“ Temu nije iscrpila i dalje radi na njoj na neponovljivim i prepoznatljivim originalima. (napravila oko 1100 figura od 40 – 70 cm) Također radi na velikoj tematskoj cjelini Marijanski ciklus u sklopu koje je napravila anđele, i Križni put od Navještenja do Uskrsnuća u reljefu i skulpturi. Do sada izlagala: - skupne izložbe, sajmovi i kolonije - 38 izložbi u Rijeci, Omišlju - stalni postav u Vili Ružić, vlasništvo Spomeničke knjižnice i zbirke Mažuranić – - Brlić – Ružić, 36 skulptura inspirirano grobničkom tradicijom, - stalni postav Općina Jelenje – Turistička zajednica, 15 skulptura na temu kako su živjeli i odijevali se naši stari krajem 19. i početkom 20. stoljeća - Arena u Veroni (Italija), na međunarodnoj izložbi jaslica u tradiciji i kulturi, 2005/2006, 2006/ 2007, 2007/2008, 2008/2009 i 2009/2010. - Lublin (Poljska) 2006/2007. godine gotovo tri mjeseca njene su jaslice bile izložene na izložbi „Nova Europa“ u Kongresnom centru, gdje je snimljen i kratki film o njenom radu - Cuneo (Piemonte u Italiji), Castelo di Govone, Europska izložba jaslica posvećena Ivanu Pavlu II, koju je otvorio princ Vittorio Emanuele - Assisi (Italija), Palazzo Vallemani, 2007/2008 godine, betlehemski postav jaslica - Betlehemski muzej u Betlehemu, stalni postav, 26 figura (prvi hrvatski kraljevi, mlikarice, drvarice i vodarice), - Jaslice svijeta, Pomorski i povijesni muzej Hrvatskog primorja Rijeka i Međunarodni muzej rođenja iz Betlehema, inspirirane riječkom tradicijom od 16 – 20. stoljeća - Gallery MC, 549 West 52nd Street , Manhattan, New York, Croatian art&craft EXPO Italiano Nata a Sušak, vive a Podkilavac. Modella ceramica e dipinge dal 1999, lavora su un sogetto importante, non commerciale; "come viveva e come si vestiva la nostra gente verso la fine dell'800 e agli inizi del '900". Su questo tema ha fatto dei presepi aggiungendo ad essi "un nuovo elemento, i primi re croati Tomislav, Krešimir e Zvonimir; un legame col passato e con l'orgoglio storico", come sottolinea nel suo catalogo il dott. Theodor de Canziani Jakšić. Il tema non l'ha esaurito e continua ad elaborarlo facendo degli originali irripetibili anche se riconoscibili. Lavora anche su un altro importante tema compreso nel ciclo Mariano, di cui ha fatto gli Angeli e sta lavorando alla Via crucis in rilievi e in statue. Fino ad oggi ha avuto seguenti mostre: A Fiume (Rijeka) 38 mostre personali, di cui una e' la mostra permanente nella villa Ružić, via Pećine 5, della cui sono le 36 statue ispirate alla tradizione di Grobnico (Grobnik). All'Arena di Verona alla Mostra internazionale del presepio nella tradizione e nella cultura, negli anni 2005/2006, 2006/2007, 2007/2008, 2008/2009. A Lublino, Polonia, nel 2006/2007, per quasi tre mesi il suo presepio era esposto alla mostra "Nuova Europa" nel Centro dei congressi a Lublino, dove ? stato girato anche un cortometraggio sul suo lavoro. A Cuneo, Piemonte, al Castello di Govone alla Mostra europea del presepio dedicata a Giovanni Paolo II, inaugurata dal principe Vittorio Emanuele. Ad Assisi, Palazzo Vallemani nel 2007/2008, allestimento betlemita dei presepi, la mostra ? ancora in corso. Al Museo di Betlemme, allestimento permanente, vi si trovano 26 statue, i primi re croati, lattaie, legnaiole e acquaiole. Gallery MC, 549 West 52nd Street, Manhattan, NEW YORK; Croatian art & craft EXPO English Margareta was born in Sušak and lives in Podkilavac. She has been sculpting and painting since 1999, and for years worked on the great non-commercial theme of „how the old lived and dressed at the turn of the 19th-20th century“. Along with this theme, she has put together several varieties of “jaslica” (the crib of baby Jesus or nativity) to which were added new elements: the first Croatian kings; Tomislav, Krešimir and Zvonimir in a connection to our national history and historical pride, as expressed in her catalogue by Theodor de Canziani, prof. The pottery of Margareta Krstić is characterised by an extraordinary qualitative development. Initially self-educated in her „calling“ from the rich land of her childhood surroundings, just as it was through time immemorial for our broad culture of ancestors, connecting, dividing and shaping, Margareta has come to produce an acquisition of experience and her feelings inspired by the prompts of her childhood. The very thematic connection she has for her commentary on the everyday life of her surrounding which is steadily disappearing gives us an honest statement about generations which although are considered the past could still indeed have been living until recently, such as the last milk-carrier Matilda, the water-bearers, wood-carriers, washer-women and all that which meant living and surviving in Grobnik, and all the traditions which arose from it. Another series of her sculptures are those of a religious character and in particular following the motif of the nativity scenes which are realised in countless variations with almost childish enthusiasm. Nativities are derived in a variety of different ceramic techniques (Villanovian, Bucchero, Raku, Terracotta etc.) and inspired by the most widely ranged influences of surroundings both nearby and far away, yet encompassing the whole world, from Grobnik and Rijeka to Verona, Cuneo, Assisi, Lublin and Bethlehem. Margareta Krstić has exhibited her cribs worldwide in representation of the Republic of Croatia. Solely because of her an exhibition of Nativity scenes from all around the world came to us in Rijeka in 2008/09. Owing to Margareta Krstić this event occurred in our town as it was the worldwide showing of her authentic nativities each year at the big global exhibitions such as in Verona and other European cities which attracted the attention of the organiser (curator of the Bethlehem Museum in Bethlehem, Dr. Alfredo Troisi) into this unique exhibition in Croatia and Rijeka. Hence, it was by the wishes of the organiser entirely, that at the Rijeka exhibition of nativity scenes from around the world, held in the Maritime & History Museum on the Croatian coast in Rijeka, she got both the largest and the most representative exhibition space. Margareta put together the first Rijekan nativity scene, in the Raku technique and a height of 40-60cm, in which with the holy family also appeared „Rijekans“. This is a true Rijekan specialty, „morčići“, in hundreds of variations. All Moors, Turks and Indians in a variety of colour and forms conjured up for Rijekans and the world as a whole. Rijekans were for the first time immortalised in nativity scene alongside the holy family during the Christmas season. Inspiration for this still comes from the immemorial Grobnik and legends about the adornment and decoration indigenous to Rijeka. From a synopsis of the books of Riccard Gigante, Radmila Matejčić and Theodor de Canziani continues a synthesis of that mark which is the most familiar in long-standing Rijekan identity, "His Excellency" Morčić, and concepts of nativity which lead us to a wonderful discovery: „Moro is born! And Rijekans, the patrons, continue unwaveringly onward.“ So, with pride, both loud and clear we say: „Unstoppable!“ This theme has not at all diminished for her and indeed she still works on every original yet familiar unique (having made around 1100 figures of 40-70cm). She also works on the great thematic piece of the Marijan collection, within which complexity she has shaped angels, The Way of the Cross and the whole range of religious sceneries from denunciation to resurrection in both relief and sculpture. Displays to date: - A collection of exhibitions, fares and shows - 36 exhibitions in Rijeka, Omišalj - A permanent exhibition at Villa Ružić, ownership of memorial libraries and the collections of Mažuranić - Brlić – Ružić, 36 sculptures inspired by Grobnik tradition. - A permanent exhibition in the parish of Jelenje – Tourist community, 15 sculptures on the theme of how they lived and dressed in our old settlements at the turn of the 19th-20th century. - Arena in Verona (Italy), at the international exhibition of nativity scenes in tradition and culture, 2005/2006, 2006/ 2007, 2007/2008, 2008/2009 and 2009/2010. - Lublin (Poland) 2006/2007 for almost three months her nativities were on show at the exhibition „New Europe“ at the Congress Centre, where there was also a short film produced about her work - Cuneo (Piemonte, Italy), Castle Govone, European exhibition of nativity scenes of his holyness John Paul II, which was opened by Prince Vittorio Emanuele - Assisi (Italy), Palace Vallemani, 2007/2008, Bethlehem exhibition of nativity scenes - The Bethlehem Museum in Bethlehem, permanent collection, 26 figures (the first Croatian kings, milk-carriers, wood-bearers and water-bearers) - Nativities of the world, Maritime & History Museum on the Croatian shores of Rijeka and the International Nativity Museum in Bethlehem, inspired by Rijekan tradition from the 16th-20th centuries. - Gallery MC, 549 West 52nd Street, Manhattan, New York. Croatian Arts & Crafts Expo. Deutch Sie ist in Sušak geboren und lebt in Podkilavac. Seit 1999 beschäftigt sie sich mit Keramik und Malerei und seit Jahren befasst sie sich mit dem unkomerzionellen Thema "Wie haben unsere Vorfahren Ende des 19.Jhs und Anfgang des 20.Jhs gelebt und sich gekleidet". Sie hat zu diesem Thema einige Varianten von Krippen gemacht und ein neues Element beigefügt - erste kroatische Könige; Tomislav, Krešimir und Zvonimir als Verbindung mit nationaler Vergangenheit und historischem Stolz, so betont Prof. Theodor de Canziani in seinem Katalog. Die Keramik von Margareta Krstić zeichnet sich aus durch besondere qualitative Entwicklung. Sie hat als Autodidakt angefangen, "eingeladen" von der fetten Erde ihres Elternhaus um wie auch schon unsere Urahnen zu kneten, verbinden,r eiβen und formen. Margareta hat mit Gefühl und erworbener Erfahrung das produziert was sie von Kindheit an ermuntert und inspiriert hat. Thematisch gebunden mit dem Alltag ihrer Gegend, das "Leben" das unerbittlich verschwindet aufzeichend, gibt sie uns ehrliche Aussage der Generationen, die diese "Vergangenheit" bis vor kurzem leben konnten, bis zur letzten Milchfrau Matilda, Wasserfrau, Holzhändlerin, Wäscherin und all das was das Leben und Überleben in Grobnik und Grobinština, wo sie herkommt, bedeutet. Der zweite Zyklus ihrer Skulpturen hat religiösen Charakter, besonders das Motiv Krippe das sie mit kindlicher Begeisterung in unzähliger Varianten macht. Die Krippen in verschiedenen Keramik-Techniken (Villan, Bucchero, Raku, Terrakotta, u.sw.), inspiriert von unterschiedlichsten Anregungen näherer und ferner Umgebung, gingen um die ganze Welt - von Grobnik, Rijeka bis Verona, Cunneo, Assisi (Italien), Lublin (Polen) und Betlehem. Margareta Krstić hat ihre Krippe der Welt gezeigt und damit Kroatien vertreten - gerade deswegen kam die "Krippe der Welt" 2008 / 2009 zu uns nach Rijeka. Margaretas Verdienst liegt darin, dass sie mit ihrer authentischen Krippe bei der groβen Weltausstellungen in Verona und anderen europäischen Städten die Aufmerksamkeit des Organisators - Dr.Alfredo Troisi, Kustos in Betlehem - auf Kroatien und Rijeka gelenkt hat. Aus diesem Grund hat sie auf Wunsch des Organisators auf der Ausstellung "Krippe der Welt" in "Seefahrt und historisches Museum des kroatischen Küstenlandes" in Rijeka den gröβten und repräsentativsten Raum bekommen, was sie vollkommen verdient hat. Margareta hat die erste Krippe Rijekas gemacht - Rakutechnik, 40-60 cm hoch. In der Krippe neben der heiligen Familie erscheinen Rijekas Bürger. Gerade das ist eine Spezialität Rijekas, Morčić in hundert Varianten. Alle Mori, Türken, Inder in verschiedenen Farben und Formen haben Rijeka und der Welt gezeigt wer wir sind. Die Menschen aus Rijeka sind zum ersten Mal in der Krippe verewigt neben der heiligen Familie während der heiligen Feiertagen. Die Anregung dafür stammt aus uralten Grobnik und Legende über Entstehung dieses autochtones Schmucks Rijekas. Wenn man die Bücher von Ricardo Gigante, Radmila Matejčić und Theodor de Canziani lieβst, entsteht die Synthese dieses seit langem meisterkennbaren Zeichens Rijekas, seine Exzellenz Morčić und Motive der Krippe. Das führt uns zu wunderbarer Erkenntnis: Moro ist geboren! Und Menschen aus Rijeka (Patrizier) flieβen unversiegbar weiter. So können wir mit Stolz laut und deutlich sagen: "Indeficienter". Das Thema ist noch nicht erschöpft, Margareta bearbeitet es weiter in erkennbaren und nicht wiederholbaren Originalen (ca. 1100 Figuren, 40-70 cm hoch). Sie arbeitet auch an "Maria Zyklus" - groβe thematische Gesamtheit. In diesem Rahmen hat sie Engel und Kreuzweg von Verkündigung bis zum Wiedererweckung in Relief und als Skulpturen gemacht. Bis jetzt stellte sie aus: -gemeinschaftl, Ausstellungen, Messen, Kolonien -38 Ausstellungen in Rijeka, Omišalj -Dauerausstellung in Villa Ružić, Eigentum von Denkmalbibliothek und Kunstsammlung Mažuranić-Brlić-Ružić, 36 Skulpturen inspiriert von Grobnik Tradition -Dauerausstellung Gemeinde Jelenje - touristische Gemeinschaft, 15 Skulpturen mit dem Thema "Wie haben unsere Vorfahren gelebt und sich gekleidet Ende des 19. Jhs und Anfang 20. Jhs -Arena in Verona(Italien) "Internationale Ausstellung der Krippen" -Lublin(Polen) fast drei Monate sind ihre Krippen auf Ausstellung"Neues Europa" in Kongreszentrum ausgestellt worden, wo ein kurzer Film über ihre Arbeit gedreht wurde -Cuneo(Piemonte in Italien), Castel di Govone, europäische Ausstellung von Krippen für Ivan Pavao II, die Prinz Vittorio Emanuele geöffnet hat -Assisi(Italien) Palazzo Vallemani, 2007/2008. Krippe in Betlehem Museum von Betlehem in Betlehem, Dauerausstellung, 26 Figuren(erste kroatische Könige, Milchfrauen, Wasserfrauen, Holzhändlerinen) -Krippe der Welt Seefahrt - historiches Museum kroatisches Küstenlandes Rijeka und Internationales Museum aus Betlehem, inspiriert von Tradition des 16-20. Jhs -Gallery MC, 549 West 52nd Street, Manhattan, New York, Croatian art&craft EXPO |
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